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| CAVALCADE |
CONTENTS |
January-April 2009 |
Interviews |
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Gboyega Kolawole |
Let the Language fit the context |
- 1 |
Tabish Khair |
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- 9 |
Poetry |
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Emmanuel O Iwenofu |
To Eternity |
- 16 |
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Marooned |
- 18 |
Austyn Njoku |
An Eastern Wake |
- 19 |
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Post mortem |
- 21 |
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Obito |
- 22 |
Angela Nwosu |
Graffiti |
- 24 |
Nana Hauwa Ibrahim |
A Heart in Love |
- 27 |
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Unraveling Love (Part1) |
- 28 |
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Unraveling Love (Part 11) |
- 29 |
Ismail Bala Garba |
Letters to the Night |
- 30 |
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Sunny School |
- 32 |
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Dinner |
- 33 |
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The pluk |
- 34 |
Abdul-Jbbar Omale |
To the Younger Sister I Never Had |
- 35 |
Uche Peter Umez |
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- 37 |
Afam Akeh |
Silly poem |
- 38 |
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Pastoral |
- 39 |
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Harry’s Den |
- 40 |
Carla Vanessa Gonzales |
Dream No 3 |
- 41 |
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Dream No 4 |
- 43 |
Mukoma Wa Ngugi |
At the Blues Bar on Christmas Eve |
- 45 |
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Letter to My Artist Friend Who Died |
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Young |
- 47 |
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Eight Months and Two Days at UPS |
- 51 |
Abdulaziz Ahmad Abdulaziz |
Retracing the same Old path |
- 53 |
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Me |
- 55 |
Satish Verma |
Poems |
- 58 |
Anuraa Sharma |
Hypotenuse |
- 62 |
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A Split Tree |
- 64 |
Fiction |
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D E Kaze |
When my Boy Grows Up |
- 66 |
Wumi Raji |
Born To Run |
- 87 |
Elnathan John |
Visions |
- 98 |
Ifeoma Chinwuba |
10 Downing Street, Lagos |
- 104 |
Essay |
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Dubem Okafor |
Okigbo as Cultural Globalist |
- 125 |
Folu Agoi |
gender In Christopher Okigbo’s Poetry |
- 133 |
Emman Egya Sule |
From the Crossroads to the |
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Slit-drum: Christopher |
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Okigbo as a political poetry |
- 144 |
Ismail Bala Garba |
Poetry Makes Nothing Happen: |
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Or, How Not to Write Poetry |
- 156 |
Owojecho Omoha |
Madness As Sublimity In Art and Literature |
- 169 |
Nonyelum Chibuzo Mba |
Feminine Beauty and Ephemeral |
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Pleasure: Christopher Okigbo’s |
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“Watermaid 11”, “The Stars Have |
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Departed” and “Love Apart” |
- 184 |
Review |
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unomah N Azuah |
Deadend at the End of Crossroad |
- 191 |
Sully Abu |
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- 197 |
Contributors |
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Submissions Guidelines
CAVALCADE, a literary journal, devoted to publishing original stories, poems, one-act plays, reviews, critical essays and art from an African perspective,debuted in November 2008 with a special edition. The tri-annual journal, a project of the Abuja Writers' Forum (AWF), is now seeking submissions for the third and subsequent editions
All works must be submitted pasted in the body of the email. The only attachment allowed is for art submissions. Please put "Fiction," "Poetry," “One Act Play”, "Essay", “Review” or “Art” in the subject line of the email. Submissions that do not follow these guidelines risk being unread.
Fiction, essays and reviews must not exceed 5,000 words. Please do not submit more than one work of short story, one-act play, essay or review, and send ONLY three poems and five art works per submission. Art submissions must be in jpeg format.
You may submit works that have been previously published as long as you still own the copyright and all reproduction rights. Check with the previous publisher before submitting such works to CAVALCADE. Simultaneous submissions are acceptable, but please notify us if work has been accepted elsewhere. All rights revert to the author upon publication, though CAVALCADE expects to be credited when the work is republished.
Contributors will be notified if their materials are selected and will in turn indicate their willingness to have the materials published in CAVALCADE. Contributors will receive a free copy of the edition in which their works appear.
Submissions are welcome all through the year except for a special edition when the specifics will be announced including a deadline for submissions.
Send submissions to cavalcade@bigstring.com. The genre editors will notify contributors if their materials are selected and will in turn indicate their willingness to have the materials published in Cavalcade. |
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